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Definition of a line, as a gestalt rather than a set of points, compels me to consider how a line is a force in a painting, rather than something that (simply) demarcates a space for color or outlines an image way some may think the black lines or tree limbs in Mondrian paintings are there to frame the colored spaces, or hold them apart than seeing black as a movement that is a shape in itself, a gestalt, that interacts with the movement given by the colors next to it. The idea is that a line is not a collection of points joined by other points, but a single thing, and I think the phrase from Longo relates more towards the way an abstract expressionist would consider the action of performing a line in a painting, or a dancer a line with her foot as she moves across a surface. I believe Mallarm put it like that with regard to a dancing, and Jeremy has already noted the page as an relative of our idea of non space, something too that is essential to understanding Mallarm line is still an index, but what exactly it refers to is not so simple to define.